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Sibelius Simplify Notation Plugin Solves Latency Issues »

Sibelius, Driver Installs, and Flexitime

May 24th, 2008 by mark

Recently Sibylle purchased an electronic keyboard for her studio, and last week the copy of Sibelius 5 that she had ordered arrived.  Sibelius is one of the top two or three music notation software programs available and includes a note input mechanism called “Flexitime.”  Flexitime captures the music you play on the keyboard (or other MIDI input device) directly on a score.  Last evening we hooked everything up and gave it a try.  We could not have been more frustrated or disappointed.

I had originally hooked the keyboard up to our iMac, which while somewhat aged (800MHz G4) is still serviceable.  It also has Garage Band which we played around with a bit.  Garage Band captures the MIDI information from the keyboard, but does not show that information in music notation form.  Not what Sibylle needs to capture compositions.  

Sibelius

Sibelius installed very quickly and easily on the iMac and, while a bit slow at times, ran fine on that machine.  No drivers had to be added for the USB to MIDI dongle, and it was simple to follow the Sibelius setup instructions for adding a new MIDI input device to the Mac.  More on how the notation feature worked in a minute.

Drivers

Installing Sibelius on a Windows machine was slightly more involved, but not annoyingly so.  The installation directions provided by Sibelius are thorough and even lightly humorous.  Getting the MIDI dongle recognized was another matter entirely.  Why peripheral manufacture insist on putting drivers on a CD with the device in the packaging, when they know that driver will be out of date in no time at all, is beyond me.  Installing the included driver failed to activate our MIDI input.  I had to click on the provided link, decipher a myriad of available drivers, download, and execute the new driver setup, in order to have Sibelius (and the computer) recognize the keyboard when it was attached.

Flexitime

Flexitime is the dynamic note input mechanism included in Sibelius.  The software also allows for computer note input and steptime note input.  Using the computer mouse and keyboard you can create musical scores - a lengthly and laborious process.  Using step input involves the electronic keyboard, for the notes, and the mouse to select the note type from a palette.  With step input you can actually just play the keyboard and get notes on to your score which are accurate in terms of which note, but aren’t accurate in terms of duration or other values.  In other words, unless you change the type of note from quarter to eighth to whole, and so on, every note is recorded as a quarter note, regardless of how you play it.  This input mechanism will be fantastic for producing scale or chord worksheets for students.

Flexitime tries to capture music as you play it.  There are many options controlling how it performs, from what duration of notes it recognizes (whole, half, quarter, eighth, sixteenth, thirty-second), to whether or not the metronome adjusts to your playing speed or not.  Both Sibylle and I tried each of these options, and many combinations of these options, trying to get an accurate capture of music being played.

We have not yet been successful.  Even playing a whole note scale produces odd rests, and notes which are of the wrong duration.  Setting the duration sensitivity seems to allow notes of the selected size or longer, when whole, half, or quarter are selected.  Once you pick eighth or shorter as the duration sensitivity, Sibelius starts littering the composition with sixteenth notes, and even thirty-second notes.

Sibelius does provide an online help web site, but several searches didn’t reveal any useful information about our situation.  Google searches did turn up several other people with basically the same problem as us.  Some of the suggested answers included making sure that the sound card drivers were up to date (although why the playback channel should improve a MIDI input is beyond me).  And one site said that it is possible to get Flexitime to work, but that it took a lot of fiddling with the available settings.

I spent a hour or so this morning cursing Windows and various driver manufacturers as I update the ThinkPad’s sound card driver, all to no avail.  We were still unable to successful produce a score using Flexitime.

The Sibeluis literature suggests that it is difficult for even seasoned pianists to play accurately to a measured beat; there will be little variances, which will throw the notation algorithm off.  So Flexitime tries to adjust to your style of play, speeding up or slowing down the beat as necessary so that the final composition has fidelity.  Therein, I think, lies the problem.  Sibylle has 36 years of piano playing experience, she can play a piece accurately.  Having software “interpret” and “adjust” her playing basically ruins the composition capture.  We will continue to “fiddle” with the various settings and, as soon as the phone support reopens on Tuesday, we will call for technical assistance.

Tags: drivers, music, sibelius, windows

Posted in nerdliness

5 Responses to “Sibelius, Driver Installs, and Flexitime”

  1. on 24 May 2008 at 7:17 pm1Joe Mako

    You may also be interested in Direct Note Access with Melodyne: http://www.celemony.com/cms/index.php?id=dna



  2. on 24 May 2008 at 11:39 pm2mark

    Thanks for the tip, Joe. The Direct Note Access technology is very interesting, but may be more than what we need. The goal for us is to allow students to compose music, and capture it on a score.

    Further experimentation has led us to think that our less-than-expensive USB-MIDI dongle has some latency issues. We are going to see about getting a more sophisticated MIDI interface to couple the keyboard and computer.



  3. on 25 May 2008 at 9:30 am3Robin Hodson (Sibelius)

    Hi there,

    Robin from Sibelius here with some suggestions:
    Go to Notes>Flexitime options to change settings in the Flexitime engine. Thisa will dramatically change the accuracy of display when you play live. There are two pages of settings.

    Please also note the excellent plug-in that’s free with Sibelius 5, called “Renotate performance”: This allows ANY playing you do to be “requantized” or “cleaned up” after you have entered the notes:find this in Plug-ins>simplify notation.

    Finally, if you are expereincing a “delay” or latency between playing a note and hearing it, that is also fixable, usually by switching your playback configuration (using a different sound source for playback, such as Sibelius Essentials).

    My quick start guide for doing all of these things is FREELY downloadable from http://www.sibelius.com/helpcenter/hintsandtips.



  4. on 25 May 2008 at 11:07 am4mark

    Robin, thank you for your ideas. We will definitely explore them.

    We have experimented with both tabs of settings for Flexitime options, and still are having difficulty accurately capturing music. Our keyboard, a Yamaha P-85, has sound output, so we have turned the “Midi-thru” option off. We don’t need to hear the music from the computer.

    After several disastrous attempts to record Sibylle’s concerto, we tried to record a C Major scale. Setting the recording metronome to MM = 100, and then playing quarter notes, with the duration sensitivity set to sixteenth notes, it appears that each quarter note on the score is delayed by either a sixteenth note or rest. we saw each quarter note preceded by a sixteenth note rest. It seems like the MIDI signal is arriving “late” at the computer.

    This latency is what is preventing us from successfully using Flexitime.



  5. on 25 May 2008 at 1:35 pm5zanshin.net » Sibelius Simplify Notation Plugin Solves Latency Issues » Blog Archive

    [...] Tumblr « Sibelius, Driver Installs, and Flexitime [...]



  • Welcome!

    Mark H. Nichols is an enterprise architect, martial artist, nerd, and all around good guy. Currently he works in Kansas City, and lives in the suburbs with his fiancée, three cats, a couple pianos, and nearly a dozen computers. You can read more about Mark, and this site, or explore the archives.
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